You can configure Loop to become a playback mode rather than a separate command. ![]() There are also several improvements in transport and control department: This will lock all access to the window except the Unlock button. If there's a slightest chance someone can inadvertently knock over your workstation's keyboard or tap-dance on your laptop and mess the ongoing recording, use File -> Lock command. Yet another cool little feature is session locking, which came from Tracks Live. This is helpful, when you have a lot of tracks in the current view, and you don't want to Pressing Shift will limit direction of moving a region. Instead of manually aligning multiple regions in a track so that they had zero gap between them, use Region -> Position -> Sequence Regions. If you push a region forward or backward, everything to the right of it will move accordingly.Īnother handy little feature is sequencing regions. Say, if you delete a section, everything to the right will shift to the left by exactly how much you deleted. With this mode, everything you do with a region or a selection affects whatever data is to the right of that region/selection. ![]() One of the nice features backported from upcoming Mixbus 3 (commercial fork of Ardour), is the ripple edit mode. A lot of work here was done by David Robillard. Whether you do any serious virtual piano playing or just use MIDI a lot, this will be extremely helpful. It's a quite versatile tool.įixing the way automation for sustain pedal is handled by Ardour eventually has led to a general improvement in the MIDI automation department. velocity crescendos) of note properties such as velocity, length etc. Removing gaps between adjacent notes is now possible thanks to Legatize command available in the right-click menu when at least two notes are selected.Ī new Transform dialog provides ways to make time-based transformations (e.g. Ardour doesn't do simple joining of MIDI regions, because this cannot be reliably done in a non-destructive manner, but you can bounce and use the resulted cumulative MIDI region. There's also a working solution for merging MIDI regions via bouncing MIDI. setBfree organ simulator, and your MIDI controller will be sent a CC message to adjust the positions of motorized controls accordingly. That way, you can pick a different preset for e.g. Robin Gareus added this tweak to circumvent limitations of the linear signal flow in Ardour's plugin chain and make it possible to feed a plugin's MIDI output back to a controller. One such example is that MIDI signal now flows over the entire chain of processors. But what it actually means is that you are getting an overall better experience working with MIDI in Ardour. Improvements in working on MIDI tracks and regions have been scattered all over the user interface. ![]() you can now calibrate and set per-port MIDI latency. The Audio/MIDI Setup dialog has been enhanced accordingly. Seriously.įor all these options you retain at least basic hardware connectivity for both audio and MIDI I/O. Are you on Mac? CoreAudio or JACK for OSX - make your choice. I think its a shame to limit one’s possibilities in this way, but given that Ardour is a user-driven effort, I imagine it will happen anyway.įirst of all, Ardour 4 no longer depends on JACK on every platform it runs on.Īre you a Windows user? You can choose between ASIO and the Windows port of JACK. There will be a version of Ardour in the future that merges JACK into Ardour itself, so that there is no reason to think about running a separate program at all, and we will likely attempt to even hide the possibility for inter-application audio routing from this version. In 2008, he wrote this in a reply to a user at Gearslutz: Note that this is only the beginning a lot more “sights for sore eyes” will come in due time.Īt some point in the past Paul Davis changed his opinion about the architecture of professional audio on Linux, and how JACK should expose itself to users. However, all of the editor's window, all the faders, meters, buttons, dropdown lists - pretty much all widgets are Cairo-based now.Īdditionally the color scheme for tracks and regions was rewritten, so now, as you can see, by default you get way cleaner background colors for waveforms. The benefit of using Cairo is that it greatly simplifies making sleek, appealing interfaces.įor now, Ardour still uses GTK+ for laying out user interface elements, for the file browser, and a few other things. With this release, Ardour begins moving away from GTK+ to embrace Cairo, a state-of-the-art library for drawing 2D graphics on display. released a much anticipated major update of Ardour, free digital audio workstations for Linux, Mac, and, for the first time, Windows.
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